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Weekend Hashtag Project: #WHPmyoasis Weekend Hashtag Project...

Mon, 08/31/2015 - 23:56

Weekend Hashtag Project: #WHPmyoasis

Weekend Hashtag Project is a series featuring designated themes and hashtags chosen by Instagram’s Community Team. For a chance to be featured on the Instagram blog, follow @instagram and look for a post announcing the weekend’s project every Friday.

This weekend’s prompt was #WHPmyoasis, which asked participants to photograph the places where they go to escape, near or far from home. Every Monday we feature some of our favorite submissions from the project, but be sure to check out the rest here.

The Week on Instagram | 198 News Time: 4 Ways to Take...

Sun, 08/30/2015 - 20:52

The Week on Instagram | 198


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‘The Turn Up is Real’: The Art of the Stage Dive with Rapper Vic...

Sun, 08/30/2015 - 16:39

‘The Turn Up is Real’: The Art of the Stage Dive with Rapper Vic Mensa

To see more of Vic’s crowd surfing pics and videos, check out @vicmensa on Instagram. For more music stories, head to @music.

The horn is like a call to arms — a quick pulsing rhythm before the drumbeat drops and all hell breaks loose. People jump, mosh pits are formed and Vic Mensa (@vicmensa) once again goes flying off into the crowd.

“The first time I ever performed that song I knew exactly what it was,” says the 22-year-old rapper about his certified banger of a track, “U Mad.” “Now it’s pandemonium.”

Vic’s overall show takes more cues from rock concerts than rap gigs. That’s on purpose. About a year ago, he bought a collection of concert DVDs from Rage Against the Machine, Iggy Pop, Elvis Costello and others, as a source of inspiration. Really, though he’s been prepping for this moment since he was young. As a kid, Vic would play Guns N’ Roses riffs and jump off his parents’ couch pretending he was Slash. Now he wants to bring that same energy to his own live performances.

“The turn up is real,” he says. “I am trying to do something different from what everybody else in rap is doing — just have my music conveyed differently live. It’s not just beats playing. And a lot of rappers do rap over vocals. That’s not my show. I am trying to do something that’s way more alive and flowing and in the moment.”

And what’s more in the moment than diving into the middle of a raucous crowd? Vic first started stage diving when he was 17, after learning from a guy named Hollywood Hulk, at a local club in his hometown of Chicago. Hulk’s tips were short but sweet: make your target clear, prime the audience so they know you’re coming, then take off.

“It’s just spur of the moment,” says Vic. “It’s almost like the crowd and the stage and me and the band and whoever else is a part of it are all one and I am just jumping into whatever I’m inside of. It’s like one big energy.”

Still, jump into the crowd and you might get your jewelry snatched, your lip busted or your wallet ripped from your pocket. For Vic, there was one show, in Santa Ana, California, where he had his gold chain taken off his neck after diving through the audience.

“I wanted that s— the f— back, so all my homies ran up and that s— turned up,” he says. “People try to snatch hats off your head. And the hats they might f— around and not give back. Like, the chain, he was like, I might have to give this back or they gonna f— me up.”

Risks aside, don’t expect Vic to stop crowd surfing. Like any good frontman, he’s not one to play it safe. He’s there to evoke feeling, emotion and movement from people in any way that he can.

“My whole approach is just to disrupt,” he says. “So that’s just what that is. It looks different, it sounds different, it feels different — so it’s not going to be understood perfectly. People that get it, get it.”

—Instagram @music

Pencils, Pebbles, Stories and Stationary with @inklinks To see...

Sat, 08/29/2015 - 19:06

Pencils, Pebbles, Stories and Stationary with @inklinks

To see more photos of Lito’s paperstones and vintage writing tools, follow @inklinks on Instagram.

London writer and editor Lito Apostolakou (@inklinks) has a deep appreciation for the tools of her trade. A collector of Victorian embossed glass ink bottles, eclectic pencils and pens and vintage stationary, Lito who’s also a trained historian, says neglected writing supplies of olden days bear the signs of time and have their own hidden stories. “One can’t have too many pencils — or pencil pots for that matter,” she says. Lito combines some of these finds with stones she picks up wherever she goes and turns them into paperweights, or, as she calls them, “paperstones.” “Pebbles are layers of time, words are layers of meaning,” says Lito. “The fusion of natural and man-made materials, of soft and hard surfaces, lettering, pencils, paper and inks leads to the creation of a new object with a story. Paperstones are writing companions and inspiration aids.”

Dan Deacon Ponders Creativity in Music, Architecture and Kermit...

Sat, 08/29/2015 - 16:47

Dan Deacon Ponders Creativity in Music, Architecture and Kermit the Frog Memes

To see more of Dan’s photos, check out @dandeaconofficial on Instagram. For more music stories, head to @music.

Dan Deacon finds beauty and amazement in everything: bright desert flowers; cheap, obscure DVDs that he buys at gas stations with titles like Mr. Art Critic — even jumbled snapshots of himself or his friends, where he misplaces and doubles up basic facial features.

“I like how disturbing they are. I find them to be hysterical,” the Baltimore-based electronic musician says of the twisted portraits. “I love the mixture of comments. There’s no more polarizing post than a face on a human head sideways with, like, two mouths. No one doesn’t have an opinion on that photo.”

These days, the 33-year-old spends a lot of time on his tour bus — a converted school bus named Vantastic that he and his pals gut and remodel before every trek — scrolling through pictures, pondering why and how people respond to them all.

“I love when someone posts something they think has a powerful message and then the first comment is something completely having nothing to do with it or completely changes the context of how everyone is going to see it next,” he says. “Like, the fact that Kermit the Frog drinking tea became a set of memes that completely changed the entire character of Kermit the Frog is insane. The fractal effects of what happens once you put an idea in the world is endless.”

In a way, that represents how Dan looks at his own musical output, from his early days self-releasing albums as a student at State University of New York at Purchase to his most recent album, 2015’s Gliss Riffer. “I think my whole life is seeing a point on a horizon and wanting to get to it but not knowing how to do that, and figuring it out as I go. Or, vice versa, seeing a path in the woods and not knowing where it’s going to take you and following it anyway. For each song, it’s the closest thing to meditating I could probably ever do, sitting there and letting the music take me where it’s taking me and trying to get what’s inside my head outside without thinking about it too much.”

Yet, for all the school bus travels and international audiences he leaves in pools of sweat with his egalitarian shows — where he almost always performs in the midst of the crowd — Dan gets bored like any other human. And when DVDs like Mr. Art Critic and Two-Headed Shark Attack aren’t enough, he’ll find a unique way to entertain himself. Take the recent prank he pulled at Ireland’s Body & Soul festival.

“I was talking about how I was obsessed with The Doors in high school and I used to draw The Doors logo in notebooks. Then someone was like, ‘What does The Doors logo look like?’ And I said, ‘I can draw it for you, exactly, from memory.’ There was no table space, so I was leaning up against our dressing room door while doing it, so I thought, I should just tape this here. And then, I don’t know why, I started drawing it again and then I was like, I’ll tape this on the door of Savages’ dressing room.’ Then I really liked how it looked, so I did it to all the dressing rooms.” Eventually, a worker at the festival took them all down, but Deacon took them out of the trash and reapplied them. “I don’t know,” he says of his motives. “It was really fun. I had a great time.”

For the rest of the summer and a bit into autumn, Dan will be playing gigs, mostly festivals, in Europe and the US. After that, it’s back to figuring out a path to the figurative point on the horizon. “I’m starting to sketch out the new record. I’d like to get going on that. It takes me a while to formulate an idea. We’re going to have some non-pop music projects as well and getting into production of music that’s not my own, so I’m excited for that. Nothing at the confirmed stage to talk about, but I’m trying to diversify my output. I really want to keep making as much music as possible in as many different forms as you can make it, and trying to expand on what music is — or the next art form of what will be sound-based but not music.”

There doesn’t seem to be a way to explain it, so we’ll just have to trust Dan’s ability to see and hear the world in his own unique way and turn it into something that fascinates and entertains us, just as a dollar DVD or face-swapping app does for him.

—Dan Reilly for Instagram @music

Instagram @music’s Monthly Hashtag Project:...

Fri, 08/28/2015 - 22:33

Instagram @music’s Monthly Hashtag Project: #MHPmysounds

Monthly Hashtag Project is a series featuring designated themes and hashtags chosen by Instagram’s Community Team. For a chance to be featured on the Instagram blog, follow @music on Instagram.

This month’s prompt was #MHPmysounds, which asked participants to make creative images and videos inspired by the sounds they feel most connected to, taking inspiration from guest curators Camille and Kennerly Kitt (@camillekennerly), aka the Harp Twins. We selected some of our favorite submissions from the project, but be sure to check out the rest here.

Weekend Hashtag Project: #WHPmyoasis Weekend Hashtag Project...

Fri, 08/28/2015 - 20:47

Weekend Hashtag Project: #WHPmyoasis

Weekend Hashtag Project is a series featuring designated themes and hashtags chosen by Instagram’s Community Team. For a chance to be featured on the Instagram blog, follow @instagram and look for a post announcing the weekend’s project every Friday.

The goal this weekend is to photograph the places where you go to escape, near or far from home. Some tips to get you started:

  • Your escape could be getting lost in the energy of a crowded concert, or finding solitude in a cozy reading spot.
  • Capture a sense of place in your photographs by taking wider shots that show your environment.
  • Photograph a perfect moment in an adventurous locale or showcase your everyday sanctuary for this project.

PROJECT RULES: Please add the #WHPmyoasis hashtag only to photos taken over this weekend and only submit your own photographs to the project. Any tagged image taken over the weekend is eligible to be featured Monday.

Announcing Worldwide InstaMeet 12: October 3-4 For more...

Fri, 08/28/2015 - 14:05

Announcing Worldwide InstaMeet 12: October 3-4

For more information about how to get involved in #WWIM12, visit Check out our Behind the InstaMeet series for practical tips on organizing a meetup of your own!

Worldwide InstaMeet 12 is set for the weekend of October 3-4!

This Worldwide InstaMeet falls just before the Instagram community’s birthday on October 6. To celebrate the vibrant, diverse and global community that has grown since Instagram launched just five short years ago, the theme of #WWIM12 will be to share #todayimet portraits of the people you meet. To help others connect to new and interesting people, ask the subject of your portrait about their favorite Instagram accounts, and include them in your caption with the #whoifollow hashtag.

Browse the #todayimet hashtag for portrait inspiration, and learn more about InstaMeets at

Sibling Revelry: The Sights and Sounds of Brandon and Olivia...

Thu, 08/27/2015 - 23:45

Sibling Revelry: The Sights and Sounds of Brandon and Olivia Locher

To see more of Olivia and Brandon’s work, check out @brandonlocher and @olivialocher on Instagram. For more music stories, head to Instagram @music.

You’ll notice the preternatural ease with which they discuss one another’s professional work and personal selves; the respect they have for their interests, efforts and shared history; and the continued expectation they put on each other to create something new, exciting and distinctive. Brandon (@brandonlocher) and Olivia Locher (@olivialocher) — siblings, roommates and originators. At 30, Brandon is an audio-visual artist, while Olivia, six years his junior, is a photographer. Typically, age difference is enough to warrant a devolving of paths, yet they have no qualms staying in the same apartment, giving the other feedback, working on the same projects and finishing each other’s sentences.

“I think Olivia and I have always been close, especially now that we have gotten older and we’ve studied a long time together,” says Brandon. “Even when I was in high school, Olivia was friends with a lot of my friends.”

“We have the relationship where we could be in a place this small together and not kill each other,” adds Olivia.

Today, the two are in her studio in Manhattan, where the air conditioning is broken and a large fan swirls on the floor circulating hot air. Behind them is a newly purchased original Eames desk, which Olivia snagged the other day from a seller on Craigslist. There’s also a multicolored rug, a white Ikea bookshelf, which has been glued back together several times and displays a variety of art and photography books and vinyl records, and a group of enormous rolled-up backdrops, each in their own poppy colors — bright yellows, blues, pinks and oranges. When they need space, which — again, surprisingly, isn’t all that often — they either go off into their own separate corners, or Brandon will return to the Lochers’ hometown of Johnstown, Pennsylvania, where he currently houses most of his instruments and electronic equipment.

The studio is located on Madison Avenue, which Olivia admits is a strange place for two working artists in New York City. But she had her heart set on a spot with big windows and high ceilings and found it in this spacious apartment just south of midtown. Here, she shoots and brainstorms much of her bombastic, satirical work. Most recently, it was the series “I Fought the Law,” which looked to show off America’s most unusual laws.

“I was photographing this guy, and he randomly brought up that it’s illegal to have an ice cream cone in your back pocket [in Alabama],” says Olivia. “Then I just started researching other weird laws, and I realized there’s one for almost every state.”

Brandon didn’t officially collaborate on the project, but he did assist on shoots and was, unsurprisingly, a voice of reason when it came to choosing which portraits made the final series; after Olivia posted them on the wall in the studio, they were able to talk through what worked and what didn’t.

“I didn’t realize some of them weren’t working until I pinned them all up,” says Olivia.

When you’re creating something, you tend to erect blinders. That’s why outside opinion is important — particularly when it’s coming from someone who knows exactly who you are and how you operate.

Explains Brandon, “We’re close enough that if I’m working on something that she doesn’t like, she’ll just tell me.”

The eldest Locher is currently working on a project known as “Mazes to the Motherlode,” a series of black-and-white drawings and illustrations, a few of which hang over Olivia’s new desk. However, Brandon has mostly made his stamp in the music world. This past February, he released the debut album from Stage Hands, a collaboration with drummer/producer Gerald Mattis that combines a variety of genres and tones, from jazz to ambient electronica. Brandon compares the recording and mastering process similar to the one he and his sister used for evaluating “I Fought the Law.”

“It’s the same with me with music-making, to try to put together this entire collection of songs and have all of those songs and all of those sounds and everything that is happening within that 40 minutes working with each other,” he says.

Even if they don’t end up speaking about their work, each sibling has an unconscious effect on the other’s project: motivation. That’s how Olivia got into photography. At the time, Brandon had been entrenched in his hometown’s DIY music scene. Sensing a need to create on her own, she decided to pick up a camera and branch out. More than a decade later, they’re still challenging each other to reach and break through their limits.

“I think Olivia is always pushing me artistically,” says Brandon. “She’s making so much great stuff happen all the time every day. And if two or three days go by and I haven’t finished anything, I start thinking: ‘Hey, come on. Get with it, Brandon. What are you doing?’”

“We’ve always been very close creatively,” adds Olivia.

The two have since gone from siblings working off each other as kids to living with each other and creating their own unique works of art to collaborating on full-fledged projects. Down the road, they will release their first album called, appropriately, Family Teeth. The music is still being recorded but the album cover is set: a portrait of the duo by Olivia, where they appear painted in all black — far from the bright colors and tones the two have used in their work.

“I think it’s important as an artist to never repeat what it is the last thing you did,” says Brandon. “Yes, you could put out something that a lot of people could like, and then you could be very successful. But I feel like the challenge of the art is just to not repeat yourself and just keep giving people what they expect of you and what they think they want of you but to evolve and to develop and to take your work to another level. And then hopefully your audience will follow you.”

—Instagram @music

Thinking Outside the Square: Support for Landscape and Portrait Formats on Instagram

Thu, 08/27/2015 - 18:00

Today, we’re excited to announce that — in addition to square posts — you can now share photos and videos in both portrait and landscape orientation on Instagram. Square format has been and always will be part of who we are. That said, the visual story you’re trying to tell should always come first, and we want to make it simple and fun for you to share moments just the way you want to. It turns out that nearly one in five photos or videos people post aren’t in the square format, and we know that it hasn’t been easy to share this type of content on Instagram: friends get cut out of group shots, the subject of your video feels cramped and you can’t capture the Golden Gate Bridge from end to end. Now, when choosing a photo or video, you can tap the format icon to adjust the orientation to portrait or landscape instead of square. Once you share the photo, the full-sized version of it will appear to all of your followers in feed in a beautiful, natural way. To keep the clean feel of your profile grid, your post will appear there as a center-cropped square.

We’re especially excited about what this update means for video on Instagram, which in widescreen can be more cinematic than ever. While we’ve historically had separate filters for photos and for videos, all filters will now work on all types of moments. You can also adjust the intensity of filters on videos, too.

We continue to be inspired by the creativity and diversity of the Instagram community, and we can’t wait to see what you create next.

To learn more about the changes in today’s update, check out the Instagram Help Center.

Instagram for iOS version 7.5 is available today in Apple’s App Store, and Instagram for Android version 7.5 is available today on Google Play.

Dueling Beauty: Juxtaposition with @chris_mueller To see more...

Wed, 08/26/2015 - 19:05

Dueling Beauty: Juxtaposition with @chris_mueller

To see more of Chris’ photos, follow @chris_mueller on Instagram.

One reason Chris Mueller (@chris_mueller) wanted to move to Los Angeles was the light quality — “what happens late in the day, this golden sun,” he says. The 40-year-old dad, who owns a cold brew coffee company, is always looking for interesting juxtapositions while he is out walking or skateboarding.

“This neighborhood is turning into expensive homes and yet there’s a huge part of the population that isn’t changing at all. It’s this dueling beauty,” he says.

Inspired by photographer Robert Adams, Chris also composes his pictures thoughtfully — a discarded TV or a dinosaur statue where you might not even notice them. He says, “I’m trying to bring you here and show you some things. If you spend a minute, you can go deeper with this image.”

But Chris doesn’t always need to go far to find his subjects. Recently, seeing his daughter Carson on a swingset with a friend made him think about how kids are social creatures. “They’d swing past each other and smile, and it just hit that epic dimensional moment when things are happening. For me, just to shoot that was my way to engage them without physically talking to them or saying, ‘Wow, great!’ or ‘Go higher! That’s fun.’ Just peacefully take a couple photos, and that was my way to remember that moment.”

Hinds Just Want to Have Fun To see more of Hinds’ photos,...

Wed, 08/26/2015 - 16:35

Hinds Just Want to Have Fun

To see more of Hinds’ photos, check out @hindsband on Instagram. For more music stories, head to Instagram @music.

Here’s a fearless way to start a rock band: have no musical experience in the first place. Not that this dissuaded Hinds (@hindsband), a four-piece outfit from Madrid.

“We weren’t even musicians,” says Carlotta Cosials. “We just started the band because we wanted to.”

What originally began as a duo with Carlotta and her friend Ana García Perrote, has since turned into a quartet, currently performing and partying their way across the globe with their fuzzy garage rock and can-do, balls-to-the-wall attitude.

The girls — Carlotta and Ana on guitar and vocals, Ade Marin on bass and Amber Grimbergen on drums — were certainly in their element this past June, when they played their biggest gig to date: the Glastonbury Festival in England. None of them could sleep the night before — understandable considering the magnitude of the event.

“Pffffffwww, I am the worst. I really get nervous at almost every gig, and Glastonbury was almost a heart attack,” recalls Carlotta. “I mean, the night before, I was sharing a room with Ana and we both were on the beds petrified, in complete silence with our eyes open like: ‘Ana, dude, I can’t even talk.’ ‘I know, I know, I know. Shut up. I’m feeling the same.’ ‘Dude, I feel like tomorrow is my wedding or something.’

Still, knowing that Carlotta and the girls actually get nervous is rather surprising. It’s hard not to look at their photos, hear their music and watch them interact and not think they’re always having fun. Even the most downtrodden moments on tour seem like they’re filled with laughter, whether they’re singing karaoke in the car or having a jumping contest backstage.

“We’re just good at being in a good mood,” says Carlotta. “We are regular people. I mean, we also are bored sometimes … but at least we are bored in a good mood.”

They even laugh off one their more serious moments as a band, when they were forced to change their original name, Deers, due to another group being called it.

“The worst months were before doing it,” says Carlotta. “Once we changed it, it was just done. It just took time for people to get used to it. A lot of people still call us Deers, but we don’t mind! We were that band also. Sometimes we laugh at us because one of the names we almost chose was Weers [laughs].”

With the name change now far behind them — and that major Glastonbury gig out of the way — the group is looking to continue their tour of spreading fun and music to the rest of the world. That may mean wandering around a music festival and watching bands and accepting free wine from admirers, or espousing their motto when they get the chance “Our s—, our rules.”

“It’s just the way we used to justify [ourselves] when we started. We still say it,” says Carlotta of the group’s official slogan. “Like, talking to other musicians and them saying, ‘You can’t do a song without a chorus,’ or ‘You can’t do a guitar solo like that, that’s not a solo.’ We just look at each other and say ‘Dude, this is our s—, so this follows our rules. We’re gonna do the music that we f—ing want. We don’t care if it’s wrong if we like it.”

—Instagram @music

Bringing a City to Life with @legojacker To see more Legos come...

Tue, 08/25/2015 - 19:14

Bringing a City to Life with @legojacker

To see more Legos come to life, follow @legojacker on Instagram.

Playtime isn’t just for kids. Since Kanesan Nathan (@legojacker) moved to Melbourne, Australia, three and a half years ago, he has been hijacking everyday situations with toys. “It’s about playing outside, in spaces not usually associated with play, and reimagining and reinterpreting the city,” he says. A scooter and a car were parked on an empty street, and Kanesan saw a stage for a tiny rabbit to cast its shadow. The street art precinct of Hosier Lane became a runway for a bright plastic road roller. Kanesan, who is a marketing professional by day, looks for these settings — “reflections, street art, rooftops and cityscapes” — and plays with perspective to make his Legos appear larger than life. He will use digital manipulation, but only when it’s necessary for a concept.

Kanesan also makes pictures to comment on issues like immigration and education. He says, “Lego can often evoke strong positive childhood memories, so to connect that to showing injustice around the world is a very powerful combination.” No matter what, he’s having fun.

The Many Moods of Singer Luke Black To see more of Luke’s...

Tue, 08/25/2015 - 16:30

The Many Moods of Singer Luke Black

To see more of Luke’s photos, check out @lukeblackmusic on Instagram. For more music stories, head to Instagram @music.

Serbian pop alchemist Luke Black (@lukeblackmusic) is looking back upon his days of few conventions — and fewer clothes.

“2012 was a very wild year for me,” he recalls. “My friends and I made these movies, we were naked all the time, I got kicked out of my apartment for having too many parties and I was having this Romeo and Juliet relationship where I was prepared to die for love. That’s when I wrote ‘D-Generation.’”

As befits its turbulent origins, Luke’s debut single is dark, intoxicating and hard to shake: a melancholic electro lament that invokes Depeche Mode and Massive Attack. Luke’s recent follow-up track, “Holding On To Love,” is similarly fixated on shadows and light. “That one was actually supposed to be a piano ballad,” he says. “But then I put in some electronic and club sounds too. I wanted it to be sad, but I also wanted to dance.”

That tension between melancholy and rapture is set to be further explored on a forthcoming EP, whose themes, says Luke, span, “Death, sex, biblical references, gypsy magic, screwing up and being very attached to someone.”

If this all sounds poetic, then that’s with good reason: Luke, who was born in Cacak, studied English literature and language in Belgrade. He swiftly fell for English romanticism, and honed a knack for wordplay which is evident throughout his lyrics, his song titles, and even his name (which he changed from Luka Ivanović).

That said, the multi-instrumentalist, singer and songwriter was already well-versed by the time of his studies: he’d been writing lyrics in English since he was 12. And he’s been making music and DIY recordings since the age of 16, as variously inspired by Boy George, Bruce Springsteen, techno, jazz and the geography of the imagination.

“I have this song called ‘Virtual Paris,’” he says. “I wrote it when I moved to the artistic part of Belgrade, because it has all these jazz bars and art galleries, and I felt like I was in Paris. I said to my friends, ‘Let’s make this place our Paris; let’s make this our New York.’ I had nothing in my hometown — there was only folk music or ex-Yugoslavian rock, there was no pop scene. So when I came to Belgrade, I was like a kid in a candy store. And I met a lot of other creatives – I’m not just influenced by music, I’m influenced by painters and photographers.”

Luke’s eye for art is evident. From his monochrome portraits to his stark, reflective artwork to his day-glo, kamikaze video clips, there’s a striking visual identity at work. “I consider myself to be a pop musician, and with pop music, you can do anything,” he says. “There’s a sense of freedom and I always think of the audio-visual experience. When I write a song, I imagine what I’ll be wearing and what the video will be like.”

As with his music, there’s contrast and tension in his photos, too. “They vary from color to color, from filter to filter — the colors change depending on my mood. So if I’m happy it’s probably yellowish, and you can see the periods where I’m sad. It’s like a visual diary. It’s like a mood ring,” he laughs. His pop and art may come veiled in a dark filter, but his future looks far from black.

—Nicola Meighan for Instagram @music

Weekend Hashtag Project: #WHPabstract Weekend Hashtag Project...

Mon, 08/24/2015 - 19:24

Weekend Hashtag Project: #WHPabstract

Weekend Hashtag Project is a series featuring designated themes and hashtags chosen by Instagram’s Community Team. For a chance to be featured on the Instagram blog, follow @instagram and look for a post announcing the weekend’s project every Friday.

This weekend’s prompt was #WHPabstract, which asked participants to make photographs of everyday objects or environments — and show them in unrecognizable or surprising ways. Every Monday we feature some of our favorite submissions from the project, but be sure to check out the rest here.

Capturing the Intangible with @fabiolamounier To see more of...

Mon, 08/24/2015 - 14:22

Capturing the Intangible with @fabiolamounier

To see more of Fábio’s photographs and videos, follow @fabiolamounier on Instagram.

(This interview was conducted in Portuguese.)

For 25-year-old Brazilian photographer and videomaker Fábio Lamounier (@fabiolamounier), film is a way to turn his insides out, sharing a little of himself with the world. His day-to-day observations got him reflecting about virtual relationships and how to portray them artistically. “I started thinking about how these virtual romances and friendships are often intangible: touch, space and skin are all missing,” he says of a three-part video series he created, in which skin can’t feel, feet can’t walk and hands can’t touch. Fábio’s fixation with the body comes from his longtime muse: dance. “I’m not a dancer myself, but I’ve always been attracted by dance, be it fluid, fast or aggressive,” he says. “Movement is about feelings, stories and memories.”

The Long Journey to Hitting the Road with @aluminumhustle To...

Sun, 08/23/2015 - 19:02

The Long Journey to Hitting the Road with @aluminumhustle

To see more from Sara and Dillon’s Airstream adventures, follow @aluminumhustle on Instagram.

It was only supposed to take two months for Dillon Spranley and Sara Goehner (@aluminumhustle) to renovate their vintage, 34-foot (10-meter) Airstream. But decades of neglect in swampy rural Mississippi took its toll on the trailer: the duo had to contend with rust, flood damage and the remnants of what Dillon hypothesized were “crazy rodent parties.” But after four months of labor, with some guidance from Sara’s father, a retired contractor, they were ready to set out.

The two’s professions — Sara is an animator and Dillon a hairstylist and jewelry-maker — afford them the freedom to work from anywhere. So they plan to spend the next couple of years crisscrossing the continent, from Alaska to Florida. “We think in about two years we will reevaluate, possibly continuing to travel or settle down in a place we both loved the most to conquer other dreams we have,” says Dillon.

The Week on Instagram | 197 News Vogue: Tony Gum Might Be the...

Sun, 08/23/2015 - 14:02

The Week on Instagram | 197


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Capturing Life at a Different Pace with @orlandobarriaphotos To...

Sat, 08/22/2015 - 19:04

Capturing Life at a Different Pace with @orlandobarriaphotos

To discover more of life in the Dominican Republic, follow @orlandobarriaphotos on Instagram.

(This interview was conducted in Spanish.)

Moving from the ice-cold Chilean side of Patagonia to the overwhelming heat of the Caribbean is just one of the changes Orlando Barria (@orlandobarriaphotos), went through when he relocated with his family to the Dominican Republic.

“In general, life here is pretty easy because people are modest,” says Orlando of his life in Santo Domingo, the country’s capital. “They always try to have a good time, smile for most of the day. Here time has a different pace, it doesn’t hurry as much as it does in Chile.”

But as a photojournalist, Orlando must think quick on his feet. “The most important thing for me is to mix in my photos all the elements you need to understand the news when you see the image.” His says his job is most challenging during hurricane season, which he describes as a lottery: “You have to wear wet clothes on those days and your equipment usually gets pretty damaged.”

Finding Magic in Everyday Occurrences with...

Sat, 08/22/2015 - 14:03

Finding Magic in Everyday Occurrences with @thelittlethings_love

To see more of Corla’s photos celebrating the love for life, follow @thelittlethings_love on Instagram.

(This interview was conducted in German.)

The venturesome flight of a ladybug, a pleasant shadow cooling the skin, the touching lightheartedness of children playing – Corla Schöner’s (@thelittlethings_love) photographs are like a love song to life. And for her, everyday moments are the melody. “They are pure, fragile and at the same time so incredibly strong that they soak our thick skin and, if we allow it, get up in our soul,” says the special education teacher from Frankfurt, Germany.

Corla lets her images tell little fairy tales beyond words, taking the viewer on a journey. “I think that photography can be a way to reach this well-protected and often hidden place within ourselves. A place that not only shelters our desires and fears, but at the same time is the place where our individual freedom, joy and creativity is born.”